Documentary photographer Jenny Matthews has since 2020 been making quilts and hangings of edits of her photos, which depict the effects of war on women and communities. A particularly powerful recent series, Facial De-recognition, depicts Afghan women with embroidery obliterating their facial features, to mark the effect the Taliban’s takeover of the country has had on women’s rights in the country. Runs concurrently with the exhibition Lee Miller and Roland Penrose – Love Bound in Gold Handcuffs.