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SUMMARY:AFTER-IMAGE
DESCRIPTION:AFTER-IMAGE celebrates the close proximity of the Phoenix Art Space to the Brighton Museum and Art Gallery by presenting a small but engaging display of paintings and photographs inspired by works in the Museum collection. \nThis exhibition has been devised and curated by Geoff Hands\, a PAS studio member. \nHe writes\, \nIt is necessary for visual artists to see and experience original artworks ‘in the flesh’\, rather than only in print or online. Many practitioners are aware of the history behind their respective discipline and see this as celebrating and developing particular subject matters. They may have chosen to empathise with or to react against outmoded forms of representation and now implement contemporary media or frameworks. Works from the past therefore remain alive and relevant to all who view them with a suitably creative attitude and these historical works can be linked to the present either directly or more obliquely. \n A link between an organisation holding historical works of art and a contemporary studio collective so close by is tentatively made in AFTER-IMAGE. An exhibition of ‘new’ work that respond in some way to ‘old’ artworks reveals the many skills and interests of artists from the Phoenix\, whilst acknowledging one of the primary exhibition spaces and institutions in the city. \nTwenty or so works have been selected for AFTER-IMAGE\, including photographs from Murray Ballard and Fergus Heron; plus paintings from Perdita Sinclair\, Stig Evans\, Julian Vilarrubi\, Denise Harrison\, Bernard G. Mills\, June Nelson\, Mike Stoakes and Geoff Hands.
URL:https://rosamagazine.co.uk/event/after-image-2/
LOCATION:Phoenix Art Space\, 10-14 Waterloo Place\, Brighton and Hove\, East Sussex\, BN2 9NB\, United Kingdom
CATEGORIES:Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20251122T000000
DTEND;TZID=Europe/London:20260510T235959
DTSTAMP:20260428T021855
CREATED:20250923T151332Z
LAST-MODIFIED:20260313T155326Z
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SUMMARY:William Nicholson
DESCRIPTION:William Nicholson [1872 – 1949]\, Cliffs at Rottingdean\, 1910\, Oil on canvas\, Southampton City Art Gallery\, © Bridgeman\n\n\n\nThe first major exhibition of the English painter’s work in 20 years\, spanning the whole of his prolific career from the Victorian era to post-WW2. Nicholson was primarily known as a portrait painter\, but also offered an important contribution to the still life and landscape genres\, as well as producing publicity posters\, costume designs and book illustrations\, all represented here. The artist\, of course\, had strong ties with Sussex\, living for a spell in Rottingdean with his artist wife Mabel and children Ben\, Nancy\, Anthony and Kit. Find out more at pallant.org.uk
URL:https://rosamagazine.co.uk/event/william-nicholson/
LOCATION:Pallant House Gallery\, 8-9 North Pallant\, Chichester\, West Sussex\, PO19 1TJ
CATEGORIES:Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260213T000000
DTEND;TZID=Europe/London:20261115T235959
DTSTAMP:20260428T021855
CREATED:20260427T155007Z
LAST-MODIFIED:20260427T155011Z
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SUMMARY:Glowing + Alive
DESCRIPTION:A dialogue across generations unfolds in the cathedral’s soaring spaces\, where John Piper’s vivid spiritual symbolism meets Alice Carter’s contemporary paintings. An exhibition and events programme celebrating the 60th anniversary of Piper’s iconic High Altar Tapestry\, titled Glowing + Alive\, runs until November; Carter’s Ashes to Fire\, reflecting on the Easter story with bold colour and quiet intensity\, accompanies it until April 5. \n\n\n\n\nFind out more
URL:https://rosamagazine.co.uk/event/glowing-alive/
LOCATION:Chichester Cathedral\, Chichester\, PO19 1PX\, United Kingdom
CATEGORIES:Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260214T000000
DTEND;TZID=Europe/London:20260509T235959
DTSTAMP:20260428T021855
CREATED:20260227T160523Z
LAST-MODIFIED:20260227T160527Z
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SUMMARY:We Are Still Here / Vanishing Place
DESCRIPTION:Held in partnership with academics from the University of Sussex\, We Are Still Here is a powerful exhibition of poetry\, visual art & community response.  \n\n\n\nVanishing Place\, meanwhile\, is an open-call exhibition which celebrates the challenges and the beauty of our natural world. \n\n\n\n\nFind out more
URL:https://rosamagazine.co.uk/event/we-are-still-here-vanishing-place/
LOCATION:Gallery North\, 70 High Street\, Hailsham\, East Sussex\, BN27 1AX\, United Kingdom
CATEGORIES:Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260401T000000
DTEND;TZID=Europe/London:20260906T235959
DTSTAMP:20260428T021855
CREATED:20260407T160015Z
LAST-MODIFIED:20260411T115644Z
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SUMMARY:Guerrilla Girls / Virginia Woolf and the Hogarth Press
DESCRIPTION:If You Keep Women Out They Get Resentful\, 2018© Guerrilla Girlscourtesy guerrillagirls.com\n\n\n\nDo women need to be naked to get into the Met Museum? Well\, in 1989 it seems they did: there were more nude paintings of women than women painters represented in New York’s institutional art museum\, as anonymous feminist collective The Guerilla Girls pointed out in their famous campaign. Charleston is showcasing works from the group’s 40-year career as art provocateurs. This sits alongside a companion exhibition highlighting Virginia Woolf’s equally radical work as a publisher and printer at the Hogarth Press\, which she ran with husband Leonard from 1917 to 1946. Original handprinted editions\, including TS Eliot’s The Waste Land\, reveal how Woolf used the press to challenge literary and social conventions from the inside out. \n\n\n\n\nFind out more
URL:https://rosamagazine.co.uk/event/guerrilla-girls-virginia-woolf-and-the-hogarth-press/
LOCATION:Charleston\, Firle\, Lewes\, East Sussex\, BN8 6LL
CATEGORIES:Visual Arts
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DTSTART;TZID=Europe/London:20260428T100000
DTEND;TZID=Europe/London:20260510T160000
DTSTAMP:20260428T021855
CREATED:20260414T162648Z
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SUMMARY:Where The Art Is
DESCRIPTION:Oxmarket are delighted to welcome the art group Where The Art Is in our Wilson Gallery. The artists are part of a larger weekly art group who come from very different working backgrounds and are a diverse but collaborative group. The group is guided by two highly experienced\, talented teachers who nurture their creativity. \nWhere The Art Is collective art is characterised by the use of different materials and media\, including gyotaku (printing with fish scales) linocut\, collagraph\, clay\, pastel\, ink\, watercolour and acrylic. Their ethos is that there is no right or wrong\, no failure\, only experimentation. \nWhere The Art Is would love their art to convey the delight and playful engagement they experience together in their group and the satisfaction gained by expressing themselves through art. The artists all use a huge variety of different materials and techniques\, depending on the project they are exploring\, and are constantly developing an array of skills demonstrated by their teachers. \nThe artists from the group exhibiting at the gallery are David Aplin\, Sybille Bulloch\, Trisha Burgess\, Barbara Graham\, Tanya Hatton\, Peter Watts.
URL:https://rosamagazine.co.uk/event/where-the-art-is/
LOCATION:Oxmarket Contemporary\, St. Andrew’s Court off East Street\, Chichester\, West Sussex\, PO19 1YH\, United Kingdom
CATEGORIES:Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://rosamagazine.co.uk/wp-content/uploads/2026/04/IMG_3533.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260428T100000
DTEND;TZID=Europe/London:20260510T160000
DTSTAMP:20260428T021855
CREATED:20260414T162835Z
LAST-MODIFIED:20260414T162835Z
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SUMMARY:Robyn Jacobs - Expedition
DESCRIPTION:Oxmarket are delighted to welcome Robyn Jacobs – ‘Expedition’ to the John Rank gallery for a 2 week exhibition. Robyn was born in New Zealand and moved to the UK in 1990\, she lives and works in Hampshire and London. Completing her BA at UCA (Farnham) in 2013 was integral to establishing herself as an artist and gave her the platform to begin to build a body of work. Robyn experiments in a conceptual manner and has developed an art practice that seeks to learn through making. Robyn went on to further her education in 2022 by completing an MA. Her training has been central to developing an interest in site-responsive works and her focus on place recurs repeatedly in her practice. Part of Robyn’s motivation is to create meaning in the context of her adopted home whilst acknowledging the distance of time and location of the country she left behind. \nRobyn has a multi-disciplined practice in mediums such as drawing\, painting\, film and 3D. Her work concerns itself with physical and psychological interpretation of place and engages with materiality and process within the context of site and/or activity. Accumulation and rhythm\, layering and building are some of the techniques used in order for the work to take form. Robyn’s New Zealand background and local history inform her ideas and are embedded in the outcomes. \nRobyn would like her work to generate curiosity and intrigue in the viewer while remaining rigorous to process and material. It is her aim to continue to explore methods in her practice that ask questions and experiment through gathering knowledge in the process of making. The investigative nature of the work explores the space between the familiar and the unfamiliar. This is an ongoing concern and challenge but one she continues to pursue and would like her art to communicate.
URL:https://rosamagazine.co.uk/event/robyn-jacobs-expedition/
LOCATION:Oxmarket Contemporary\, St. Andrew’s Court off East Street\, Chichester\, West Sussex\, PO19 1YH\, United Kingdom
CATEGORIES:Visual Arts
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