An interesting double header opens this spring at Charleston’s Lewes satellite. One exhibition focuses on Walter Sickert’s works on paper, examining the importance of drawings and prints to the proto-Modernist’s practice. Sickert, of course, was no stranger to Sussex, as a frequent visitor to Brighton and habitual user of the Newhaven-Dieppe ferry. Alongside it comes the first major exhibition devoted to the lamentably overlooked Modernist painter, sculptor, illustrator and designer Gladys Hynes. A political activist and committed suffragist, Hynes produced work that was as bold in its aesthetic as in its conviction.